music and story reading fill blanks 65 practice

music and story reading fill blanks 65 practice

music and story reading fill blanks 65 practice

161. Sample

performers therefore reviews another

Most important of all is the fact that for each new ballet-pantomime created at the Paris Opera during the July Monarchy, a new score was produced. The reason for this is simple: these ballet-pantomimes told stories elaborate ones – and the music was considered an indispensable tool in getting them across to the audience. …………, music had to be newly created to fit each story.

Music tailor-made for each new ballet-pantomime, however, was only one weapon in the Opera’s explanatory arsenal. ……… was the ballet-pantomime libretto, a printed booklet of fifteen to forty pages in length, which was sold in the Opera’s lobby (like the opera libretto), and which laid out the plot in painstaking detail, scene by scene.

Critics also took it upon themselves to recount the plots (of both ballet-pantomimes and operas) in their ……….. of premieres. So did the publishers of souvenir albums, which also featured pictures of famous ………… and of scenes from favorite ballet-pantomimes and operas.

music and story reading fill blanks 65 practice

162. Sample

specific determine passive approach

Reading is an active process, not a ………. one. We always read within a ………. contest, and this affects what we notice and what seems to matter. We always have a purpose in reading the text, and this will shape how we ……….. it. Our purpose and background knowledge will also …….. the strategies we use to read the text.

History of weaving reading fill blanks 64

PTE most repeated Essay topics with sample answers

Online PTE reading practice test fill in blanks

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